This is a re-posting “flashback” of episode 2, originally posted on June 29, 2012. Welcome – report on what was the first “Mostly Lost” film identification workshop – live performance recording “Ten Commandments” on Steere & Sons organ in Brooklyn –… Read More »ep. 02 (re-posted): Unidentified films, DeMille’s “The Ten Commandments”, YouTube ethics, The Crowd, and more
This is a re-posting “flashback” of the very first episode of The Silent Film Music Podcast, originally posted on June 9, 2012. Welcome – score for “The Eagle” – new web series – Mabel Normand – Raymond Griffith at The… Read More »ep. 01: re-posting of premiere (2012) episode
In the second half of this 2-parter, Ben Model recaps the past pandemic year: producing and releasing the Edward Everett Horton DVD set, a handful of DVD release projects in development, remembering MoMA’s Eileen Bowser, and looking toward the future… Read More »ep. 43: End of the Year 2021 Recap – Part 2
“End of the Year 2021 Recap” – in the first half of this 2-parter, Ben Model recaps the past pandemic year of silent film live-streaming, rediscovering the meaning of providing entertainment for fans, the return to in-person accompaniments, and ponders… Read More »ep. 42: End of the Year 2021 Recap – Part 1
“Live-Scoring for the Virtual Cinema” – in part two of this conversation, Ben Model discusses what it’s been like to accompany silent films throughout 2021 via live-streams he’s produced and presented out of his home. Ben and co-host Kerr Lockhart… Read More »ep. 41: Live-Scoring for the Virtual Cinema (part 2)
“Live-Scoring for the Virtual Cinema” – in part one of this conversation, Ben Model discusses what it’s been like to accompany silent films throughout 2021 via live-streams he’s produced and presented out of his home. Ben and co-host Kerr Lockhart… Read More »ep. 40: Live-Scoring for the Virtual Cinema (part 1)
“Adventures In Sound!” – Ben tracks his own journey to find the digital devices that best re-create or at least evoke the classic theater pipe organ experience under modern screening conditions. Topics Ben discusses the “temporary” theme for the podcast,… Read More »ep. 39: “Adventures in Sound!”
On this episode Ben talks about meeting an audience’s expectations of a score when a certain piece of music or style is indicated onscreen, and in a rare case of a non-narrative film made after the silent era. Also covered… Read More »ep. 38: scoring for scenes that suggest or specify a piece of music, and scoring a film from 1948
On this episode Ben talks about: the annual Mostly Lost film identification workshop at the Library of Congress, currently postponed until 2021; underscoring a key scene in Keaton’s “The Cameraman” and noticing a parallel with “Singin’ In The Rain”, playing… Read More »ep. 37: Mostly Lost, Keaton’s The Cameraman and The General, an electric organ and Laurel & Hardy
On this episode Ben talks about: using music an audience may or may not expect to hear during a film in preparing scores for shows of Fairbanks’ “Robin Hood” and Raoul Walsh’s “Loves of Carmen”; using underscore to help smooth… Read More »ep. 36: scoring Robin Hood and a 1927 Carmen, using the orchestral and cartoony sounds of a theatre organ, more live-streaming