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ep. 37: Mostly Lost, Keaton’s The Cameraman and The General, an electric organ and Laurel & Hardy

On this episode Ben talks about: the annual Mostly Lost film identification workshop at the Library of Congress, currently postponed until 2021; underscoring a key scene in Keaton’s “The Cameraman” and noticing a parallel with “Singin’ In The Rain”, playing for “Spite Marriage”, the challenge of introducing and presenting “The General” at a college show; playing for Laurel & Hardy on a 1980s electric theatre organ, and using that console’s MIDI function to bring the sound of the Wurlitzer to a cinema; how Ben chooses and utilizes piano or organ for score recordings, and much more.

episode 37: “Comedy Today! – Buster Keaton and Laurel & Hardy”

  • Missing the Mostly Lost workshop, cancelled this year due to the pandemic
  • Making an alternate accompaniment for The Cameraman
  • The Cameraman’s kiss in the rain and Singin’ In The Rain: Copy, homage or coincidence?
  • Spite Marriage comes to life with an audience
  • Mark Fuller, member of Southwest Silents in Bristol, England talks about The Silent Comedy Watch Party
  • Putting The General in context and avoiding too much chase music
  • Sponsorship: Found at Mostly Lost, Volumes 1 & 2 from Undercrank Productions
  • How Ben became a home video distributor 
  • Finding different ways to accompany the scare gags in  Liberty with Laurel & Hardy
  • Playing Wurlitzer sampled sound through MIDI at the AFI Silver Theatre on an Allen 3600 electric organ
  • FAQ – How do you record your prepared accompaniments?
  • Kerr recommends the podcast You Must Remember This: Episodes 121-131, Fact-checking Hollywood Babylon – the Silent Era

Links from the episode: