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The Silent Film Universe: Chapter Supplements

Video clips related to the chapters in The Silent Film Universe are listed here, as well as links and other addenda, as a supplement to the book. The way I’ve laid it out is as a Table of Contents with hyperlinks to individual pages for each chapter.


Foreword & Introduction

Photos and background about Jeanine Basinger and Walter Kerr. Click or tap here.


Chapter 1 – Motion Picture Film, and What it Can and Cannot Capture

Video clip from:

  • Mel Brooks’s Silent Movie (1976) – scene with Marcel Marceau
  • Douglas Fairbanks in Robin Hood (1922)

Click or tap here.


Chapter 2 – An Opportunity for a Storytelling Shorthand

Excerpt from Move Along (1926) starring Lloyd Hamilton, plus an image of a Venn diagram illustrating the silent film experience.

Click or tap here.


Chapter 3 – Silent Film’s Accomplice: Your Right Brain

Audio recordings from live performances for a school assembly and for a huge audience in South Korea.

Click or tap here.


Chapter 4 – Silent Film’s Soundscape

Video clips from:

  • Buster Keaton’s One Week (1920)
  • Harold Lloyd’s The Kid Brother (1927).

Click or tap here.


Chapter 5 – Iconography and Archetypes

Video clips from:

  • Sunrise (1927), directed by F.W. Murnau
  • Bumping Into Broadway (1919), starring Harold Lloyd
  • He Who Gets Slapped (1925), directed by Victor Seastrom

Click or tap here.


Chapter 6 – Silent Film Leaves It Out, We Fill It In

Video clips from:

  • The Mark of Zorro (1920) starring Douglas Fairbanks
  • Mother (1926), directed by Vsevolod Pudovkin:

Click or tap here.


Chapter 7 – Silent Film’s Use of Text

Video clips from:

  • The Evidence of the Film (1914), by Thanhouser Film Corp.
  • Local Showers (1916), from the “Mishaps of Musty Suffer” comedy serial
  • Orphans of the Storm (1921), directed by D.W. Griffith

Click or tap here.


Chapter 8 – Performance Techniques in Silent Film

Click or tap here.


Chapter 9 – The Speed(s) of Silent Film

Video clips from:

  • The employment office scene from Charlie Chaplin’s A Dog’s Life (1918)
  • Harold Lloyd’s The Freshman (1925)

Click or tap here.


Chapter 10 – Silent Film After the Silent Era

Click or tap here.


Chapter 11 – The Future of Silent Film

Read supplemental text on titling practices and styles, referenced on p. 178.

Watch Jeff Seal’s silent comedy short A Day’s Messing (2011)

Click or tap here.


Epilogue


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