Author: Ben Model
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ep. 65: Scoring Roland West’s “The Bat” (1926)
In this episode: On this episode, Ben and Kerr talk about Ben’s process for scoring Roland West’s “The Bat” (1926) for a home video release. The new restoration was produced and released by Ben’s Undercrank Productions home video label. Show notes for episode 65 can be found here.
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Episode 65 show notes: The Silent Film Music Podcast
Episode 65 Show Notes: Scoring Roland West’s “The Bat” (1926) On this episode, Ben and Kerr talk about Ben’s process for scoring Roland West’s “The Bat” (1926) for a home video release. The new restoration was produced and released by Ben’s Undercrank Productions home video label. Sign up for Ben’s regular email here to keep…
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“Sight-Reading” a Reginald Denny Comedy
One of the questions people ask me is “Do you ever accompany a film that you haven’t seen before?” The answer is “yes”. Although it happens less often than it did a decade or so ago, because now most films either have been restored digitally and an archive can provide a private screener link, or…
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ep. 64: The Fierce Urgency of Silent Film Music
In this episode: Ben talks about accompanying Laurel & Hardy’s pie fight in “The Battle of the Century”, for a decisive moment for Keaton’s character in “Steamboat Bill, Jr.”, for Ozu’s “A Story of Floating Weeds”, and for Raymond Griffith and Max Fleischer silents at the 15th TCM Classic Film Festival. Performance clips include recordings…
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Episode 64 show notes: The Silent Film Music Podcast
Episode 64 Show Notes: The Fierce Urgency of Silent Film Music On this episode, Ben and Kerr talk specifically about the importance of spontaneity in providing musical accompaniment to performances of silent film Laurel & Hardy shorts (restored) in the Adirondacks Keaton in Plattsburgh NY Ben at the TCM Classic Film Festival Undercrank Productions news…
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Silent Film Cue Sheets for Comedy Shorts
The “cue sheet” was the most common type of film score during the silent era. These were road maps for the conductors and musicians in movie houses. They were rarely if ever made in collaboration with a film’s director, and there was no requirement that they be adhered to. Most of the cue sheets I’ve…
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Let’s get “The Bat” on the National Film Registry!
Every year in December, 25 films are added to the National Film Registry for their being “culturally, historically, or aesthetically significant”, and are selected by the Librarian of Congress and the National Film Preservation Board. Given the connection to Batman that Roland West’s THE BAT (1926) has, I’d say it deserves to be on the National…
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40 Years At MoMA
Had it not been for the fact that I was on vacation for about two weeks in June and my seeing a slew of LinkedIn messages congratulating me when I got home, a big anniversary of mine would not have occurred to me. It has been 40 years since my first performance at MoMA, accompanying…
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An award for the Raymond Griffith Blu/DVD!
The Il Cinema Ritrovato is held every year in Bologna, Italy and is a prestigious international festival of classic and silent film. The festival has an awards competition for Blu-rays and DVDs that were released the previous year. 5 awards are given out for different categories, and also each of the competition’s jurors selects a release for…
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Projection Speed-up Cited in 1915 Article
It’s always fun finding another nugget of evidence as to how far back the practice of silent era sped-up film projection went. During the pandemic, I made a reading project of going through issues of the Moving Picture World from 1916, and then on to 1917. I’d stopped this a couple of years ago, but…