The unique combination of the delivering of reality and the elisions of it that we process in that quasi dream-state of experiencing Silent Film is what allows for an altered version of reality. There are several facets of what gets… Read More »The Universe of Silent Film
I’d initially planned for this last series of posts about sub-titles (intertitles) to be about the use of art and drawings as well as the use of textured backgrounds. It has occurred to me that these usages may be more… Read More »Why I’m Using Title Case
Okay, some final words about the appearance of text in silent movie intertitles before I move on to what sometimes appears behind or around it. I’m not sure why or how the rule about quotation marks came to be for… Read More »Leaving the Quotes Outside
The typefaces and hand-lettering styles in films from the silent era do not have a wide variety, and for the most part they were already familiar to audiences. There are maybe five or six that one sees in a majority… Read More »We Had Typefaces Then
Sub-titles in Silent Film are easy to read. They have to be. They interrupt the action, throw us a bone (or two), and hop back off the screen. Along with the economy of the text and the screen-time duration, the… Read More »With Titling, Size Does Matter
I have no idea how this unwritten law of Silent Film sub-titling came to be, how it was determined or codified. And yet, the screen-time duration of any given “intertitle” appears to be pretty consistent from the late-‘aughts through the… Read More »All in the Timing
There is an economy to the text in the sub-titles in Silent Film. Even in the wordy expositional titles, there’s a care and often a precision taken to expressing what needs to be gotten across in a sentence, or two.… Read More »Choose Your Words Carefully
Sometimes the expositional sub-titles in Silent Film may have a little more personality or a persona to them. But not always consistently throughout the picture. This is not set up for us in any way, it merely happens. One somewhat… Read More »A Voice that Comes and Goes
One type of sub-title in Silent Film is the one whose purpose is to feed us exposition. A disembodied narrator we never meet or are introduced to, appearing only sparingly, giving us just enough information so we know where we… Read More »The Disappearing Storyteller
The universe of Silent Film allows for something that may be possible in sound film or in literature, and isn’t something we’re aware of as an audience. It’s a natural part of the narrative landscape and doesn’t come off as… Read More »Able To Shift Perspectives in a Single Bound!