I know that song from Bugs Bunny cartoons. There’s no other way I’d had have heard of it, except that composer Carl Stalling stuck it in scenes where Bugs or someone else was eating. Carl Stalling had played the organ… Read More »A Cup Of Coffee, A Sandwich and You
On this episode of the podcast — I use a song-title-pun during Mostly Lost, play for the same Chaplin shorts three days in a row to work on an orchestral score, play a Möller in Rome like it’s an orchestra,… Read More »ep. 33: two takes on The Rink, organ as orchestra for a horse, melodies underscore Marion Davies
I’ve just been down a bit of a rabbit hole, thinking about the trajectory of the feature-length comedy in the early 1920s. (Yeah, I know…” — said no one, ever”). I’ve been revisiting the effect that Chaplin’s The Kid had… Read More »The Silent Comedy Landscape 1921-1922
I almost fell off the couch today, just like when I saw the Spongebob cartoon whose punchline was “Nosferatu!” several years ago. There’s a new TV spot airing now that recreates or repurposes the Buster Keaton house-fall gag, and it’s… Read More »Buster Keaton Meets Jimmy Johns
You don’t see a lot of detective stories in silent cinema. Almost as remarkable as the rediscoveries of silent Sherlock Holmes films is the fact that very few were made at all. The Language of Silent Film doesn’t lend itself… Read More »Silent Film Sleuthing and Inspector Clouseau
A lot of people ask me at shows if the original music played for silent movies still exists. During an intermission at a double-feature I was playing at Bard about a dozen years ago, someone who said they were involved… Read More »A Book of Silent Movie Music
It took me at least a few years to find a way to re-tune my thoughts about what you might call non-traditional scoring for silent films. Attending and performing at the “Silent Film Days” festival in Tromsø, Norway for many… Read More »New Sounds For Silents
Like many people who are into classic film, I only knew Harry Myers as the drunk millionaire in Charlie Chaplin’s City Lights (1931). I knew he didn’t just appear out of nowhere, hand-picked form obscurity the way Virginia Cherrill had… Read More »Before When Harry Met Charlie
I knew the name Billy Franey because Blackhawk Films sold prints of The Bath Dub (1921). I’d seen this listed in their monthly bulletins over and over growing up. I’d never seen the film, so The Water Plug (1920) was… Read More »Billy Franey and Grover Jones, Dynamic Duo
Prints of rare and lost films turn up in odd places. A distant cousin in Queens, removed a few times and older than my folks, had a large collection of 16mm silents that I wound up with after he passed… Read More »Rare Cartoons in a Queens NY Basement