Silent Film’s visual shorthand can also ask us to conjure up an event or physical act by not showing it at all. Films in the 1930s, or earlier, might avoid depicting something particularly nasty by cutting to a shot showing… Read More »Meanwhile, Just Out of Camera Range…
The visual shorthand of Silent Film also functions with physical objects. Often, by connecting them with other objects or between shots of people, an impression is intended to be made on we viewers, rather than spelling the point out blatantly.… Read More »Take the Hint
This visual shorthand employed in Silent Film helps us know immediately what sort of behavior to expect of the person we see on screen. It invites us to make assumptions about their needs or wants or fears etc, and assumes… Read More »Some Cultural Shorthand
We know who on the train with us is a conductor by their uniform. When I see a film crew in my neighborhood, I know which of the people standing around drinking coffee is going to stop me from walking… Read More »Trick or Treat!
Another way Silent Film engages us is by telling us very little about our story’s players and events. It’s similar to the way these same kinds of story elements are presented in young children’s books. In Silent Film it doesn’t… Read More »The Boy, The Girl
A ventriloquist isn’t actually throwing their voice, although that’s often how the skill is referred to. The ventriloquist’s voice appears to be coming from the dummy because the artist is creating an illusion. She or he is paying attention to… Read More »Say, Did You Hear That?
What did this aberration of the presence of sound mean to people making Silent Film? While it’s not known who or when this was figured out or came into regular use, it was clearly a known entity of the world… Read More »Selective Sound Frees Up Some Logic
One of my favorite natural laws of the universe of Silent Film involves, of all things, sound. That is, sound that happens in a scene, and whether or not it exists. The acceptance of the sound that should be heard… Read More »If A Tree Falls in the Woods in a Silent Film
The unique combination of the delivering of reality and the elisions of it that we process in that quasi dream-state of experiencing Silent Film is what allows for an altered version of reality. There are several facets of what gets… Read More »The Universe of Silent Film
I’d initially planned for this last series of posts about sub-titles (intertitles) to be about the use of art and drawings as well as the use of textured backgrounds. It has occurred to me that these usages may be more… Read More »Why I’m Using Title Case