Author: Ben Model
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Charlie Chaplin and a Stationary Horizon
Something occurred to me during a screening of Chaplin’s The Immigrant (1917) that I was accompanying for a school group several years ago. I knew the scene at the beginning where the boat is rocking was shot with the camera on a sort of pendulum to create the illusion, so that both the boat and…
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Mail-Order Netflix – in 1912
Several decades before Netflix offered home viewers of Hollywood films the opportunity to order-rent them by mail on DVD, the same opportunity existed. 16mm versions of movies shown in theaters were offered in the 1920s and 1930s by the Kodascope Library, the Universal Show-At-Home LIbrary and others. There was another home-use format that preceded those…
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Lee Erwin And…Nas?
A Silent Film Cue Played on a Wurlitzer Gets Sampled On A Rap Record Lee Erwin’s silent film scores are not that easy to find and listen to. Luckily the tracks he recorded for several Buster Keaton features are on the now out-of-print “ultimate edition” DVD and Blu-ray releases from Kino. You can also hear…
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Playing The Audience In To A Film
I don’t remember how or when I started doing this, but I’m certain it’s something I picked up or learned from Lee Erwin. I start playing before the film begins. I’m pretty sure it’s a traditional way to begin a show that theatre organists use and have used since the silent era. Aesthetically, it makes…
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Who Wants to Watch a Lost Silent Film About Watches?
Back when my interest in film collecting had whittled itself down to trying to pick up silent comedy shorts in 16mm that no one was bidding on on eBay, I turned up what turned out to be a lost film. It’s the most viewed video on my YouTube channel. It’s not a comedy, and it’s…
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Accidentally Preserved by the Kinetophone
When the Thomas Edison Company set out to make its sound films in 1913, preservation wasn’t necessarily what they were going for. However, what survives of the Kinetophone films allows the viewer of today a very special window into the past. The system was complicated, at times fussy, and required multiple operators to make it…
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A Head Start on a Kickstarter
My current Kickstarter funded in 9 hours. This is not an anomaly for me. My last one funded in 8, the previous one in 12, and the one before that in 8. These, like all 8 of the crowdfunding campaigns I’ve done since 2012, were for DVDs of silent movies no one’s heard of starring…
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Marcel Perez: One Name Behind the Camera
Marcel Perez kept revising his onscreen persona and his character’s name throughout his career. His years working in the U.S. Found him sporting three different character names, and a different costume and persona each time he changed distributors. But one thing remained constant throughout all of this. He is always billed, as director, as Marcel…
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Natural Movement and Don Juan
One of the main reasons a silent film is often run at a more gooey speed is that a decision had been made that it should have “natural motion”. Usually a projection speed in the 18 fps neighborhood. Even without documentation or a time machine, there is an easy way to see if this was…
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Curatorial Crowd-Sourcing For The “Mostly Lost” DVDs
I have released two DVDs of films identified at the Mostly Lost film identification workshop. Whether they realize it or not, the participants at Mostly Lost from 2012 through 2017 had a hand in making this disc happen. It’s an added facet of the crowdsourcing that is at the core of what the workshop is…