Tag: cinema arts centre
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ep. 38: scoring for scenes that suggest or specify a piece of music, and scoring a film from 1948
On this episode Ben talks about meeting an audience’s expectations of a score when a certain piece of music or style is indicated onscreen, and in a rare case of a non-narrative film made after the silent era. Also covered are silent era mood cues and cue sheets, Marion Davies in “When Knighthood Was in…
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ep. 37: Mostly Lost, Keaton’s The Cameraman and The General, an electric organ and Laurel & Hardy
On this episode Ben talks about: the annual Mostly Lost film identification workshop at the Library of Congress, currently postponed until 2021; underscoring a key scene in Keaton’s “The Cameraman” and noticing a parallel with “Singin’ In The Rain”, playing for “Spite Marriage”, the challenge of introducing and presenting “The General” at a college show;…
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ep. 36: scoring Robin Hood and a 1927 Carmen, using the orchestral and cartoony sounds of a theatre organ, more live-streaming
On this episode Ben talks about: using music an audience may or may not expect to hear during a film in preparing scores for shows of Fairbanks’ “Robin Hood” and Raoul Walsh’s “Loves of Carmen”; using underscore to help smooth over missing footage; playing the theatre organ like it’s an orchestra and sparingly using its…
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ep. 35: Pottery at the Met, Behind the Door in Nebraska, Eisenstein in Bklyn, Clair on Long Island, plus FAQ
On this episode, Ben Model talks with co-host Kerr Lockhart talk about a cancelled gig at the Metropolitan Museum of Art turning into an online one, Gage County Nebraska and Hollywood, accompanying Russian silent films, scoring a French film for an audience with live-translated intertitles. Plus: using leitmotifs, finding a lost reel of a Baby…
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Improvising A Silent Film Score: Now, and Then
There was no one way all film was accompanied musically during the silent film era. There was a range. A wide range. Everything from a solo upright to a full symphony. Everything from fully written-out composed scores published, disseminated, rehearsed and performed meticulously…to a blind person with a friend or spouse seated beside them on…
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Newsday: “Silent Films Amass a Quiet Following”
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From today’s Newsday: Silent films amass a quiet following January 3, 2012 by JIM MERRITT. Special to Newsday Tonight’s Keaton film is getting a warm reception from about 60 people sitting in a screening room at the Cinema Arts Centre. But, it’s not Michael Keaton or even Diane Keaton scoring big laughs in “Seven Chances,”…
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Newsday’s video on Cinema Arts Center’s “Anything But Silent” series
Newsday sent a videographer, as well as a reporter and a (still) photographer to last night’s show. The video piece is up on the Newsday website, and I’m posting/embedding it here. We show silent film once a month, always on 35mm and always with theatre organ accompaniment. In 2011 we presented: Picadilly, Why Worry, Battleship…
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L&H, Keaton and Lloyd Hamilton
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Looks like a deleted scene from Playtime, doesn’t it? I’m sitting in the Bauhaus lounge at MoMA. I’m early for my show today, and enjoying the free wifi at MoMA. Have been too danged busy to reflect and post here, but I know people read this blog, so I’ll jot something down, just to stay…