Ben Model’s blog
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A lot of people ask me at shows if the original music played for silent movies still exists. During an intermission at a double-feature I was playing at Bard about a dozen years ago, someone who said they were involved with music publisher G. Schirmers asked me about this. I…
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New Sounds For Silents
It took me at least a few years to find a way to re-tune my thoughts about what you might call non-traditional scoring for silent films. Attending and performing at the “Silent Film Days” festival in Tromsø, Norway for many years, hearing bands and music artists from Scandinavia do live…
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Before When Harry Met Charlie
Like many people who are into classic film, I only knew Harry Myers as the drunk millionaire in Charlie Chaplin’s City Lights (1931). I knew he didn’t just appear out of nowhere, hand-picked form obscurity the way Virginia Cherrill had been. So, when I spotted him as one of the…
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Billy Franey and Grover Jones, Dynamic Duo
I knew the name Billy Franey because Blackhawk Films sold prints of The Bath Dub (1921). I’d seen this listed in their monthly bulletins over and over growing up. I’d never seen the film, so The Water Plug (1920) was my first Franey short. I was impressed. It was one…
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Rare Cartoons in a Queens NY Basement
Prints of rare and lost films turn up in odd places. A distant cousin in Queens, removed a few times and older than my folks, had a large collection of 16mm silents that I wound up with after he passed away. Mostly old 3rd- or 4th gen dupes of Chaplin…
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Helping an Audience Enter the Pool at a Silent Film Show
In the mid-’teens of last century, the short subject grew legs and walked on dry land, becoming the feature length attraction. Shorts continued to be a standard part of the movie program, either in live-action or animated form. While the practice is long gone, it has a practical application today,…
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Turning The Lights Off and On In a Silent Film
The Raymond Griffith comedy You’d Be Surprised (1926) is not as well-known as his other starring features. That’s not saying much, given that most classic film fans don’t know Raymond Griffith and that most of his films are lost.This one deserves a better reputation, but I get why it’s not…
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The Other Mirror Routine
Over the last few years, I’ve gotten myself educated in Marion Davies’ silent films. The two usual suspects, Show People and The Patsy are great and well-loved, mainly because they’re on DVD. I’ve released three of Davies’ 1922 silents, and have become an even bigger fan. So, what else lies…
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Ernie Kovacs’ Experimental Video – on Prime Time TV
We’ve all heard audio feedback, that high-pitched loud noise heard over a sound system. Even if you don’t know it’s called feedback, you know that annoying sound, and that sound people avoid it. The same electronic phenomenon exists with video, and Ernie Kovacs used it — on purpose. I first…
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Shedding Some Light on Classic 35mm Film Projection
Sometimes I see motion picture film exhibition referred to as “reel-to-reel”. I get why the term is used, as it conjures up the correct booth image better than “non-digital” does. I got to experience “classic” film projection at Capitolfest this past weekend that went one step further than just running…