Ben Model’s blog
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I’ve assembled a few different Ernie Kovacs compilation programs for events this year celebrating his centennial. It hasn’t been easy, because there’s such a wealth of material to cull from. You want to show fans everything, of course, and that’s impossible. I’ve been able to draw on my experience programming…
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Charles Hofmann – MoMA Film Accompanist, Briefly
When I began accompanying silent films in college, there was very little in the way of resources. I was, however, loaned a copy of a small monograph on the subject written by Charles Hofmann, who had been one of the Museum of Modern Art’s film pianists. Hofmann seems to be…
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Finding More of Baby Peggy
A Baby Peggy Rediscovery — or: When “Circus Clowns” Doesn’t Mean “Circus Clowns” I was pretty much set with additional material for the DVD of the Library of Congress’ restoration of The Family Secret. After playing for MoMA’s restoration of the short Miles of Smiles, I’d inquired about and gotten…
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From The Horse’s Mouth
The second time I play for a film is my first big chance to make improvements over what I did the first time. If my first bash at the picture was a show where I’d not been able to preview it, I can make more specific or bolder choices for…
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Silent Movie Time Machine
“Tidsmaskin” is one of the Norwegian words I’ve managed to retain. Pronounced TEEDS-mah-sheen, it means “time machine”. I’ve found over the years that I have an affinity for being in the places where silent film happened. Props, pieces of costuming, less so. Inhabiting the spaces where silent films were shown…
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My Favorite Things
I never have a good answer for the question I am asked the most at show Q&A’s and in interviews and in social situations. I really should. I’ve certainly been asked it enough times. “What is your favorite film or type of film to play for?” I don’t have one.…
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Ernie Kovacs, Fred Allen and The Medium of Television
Say what you want about Wikipedia – at least its listings either have factual attribution or will state the article needs verification. This keeps misstatements from being taken as fact or spreading. I’m still puzzled by the origin of an Ernie Kovacs quote. I have yet to find an interview…
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A Breakfast Ballet with Buster and Joe
The Scarecrow (1920) has gradually become one of my alternate go-to Keaton shorts for audiences. In the event I’ve already shown them One Week, or am doing a general audience program for a newbie crowd, this one really lands. It’s also one of the few Keaton shorts with a set-piece…
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Skyping With An External Mic
I don’t know if it’s because I think like a filmmaker that makes me add some light production values to using Skype. I’m aware of how what I’m shooting will look to the person or audience viewing it on a screen,and how it comes across. I like to think it…
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A Keaton Short and the 19th Amendment
I’ve been seeing items posted online over the last few months commemorating the 100th anniversary of the passing by Congress of the 19th Amendment. This reminded me of a joke in a Buster Keaton film. It’s a topical joke, one that I never got and which usually doesn’t a get…