
Ben Model’s blog
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In this episode: Ben reflects on his conversation with William Perry heard in the previous two episodes of the podcast; discusses how considering a show’s intended audience is part of his programming process; covers the different film options for Halloween shows; talks at length about his recent live-underscoring of the…
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Undercrank Prods: “Beat the Boots”?
It’s an endless game of whack-a-mole. To some degree, there’s nothing to be done about it. I’m impressed that most of my DVD and Blu-ray releases have not been illicitly uploaded to YouTube. But several of them have, and aside from claiming rights on the scores, there isn’t much I…
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It’s Halloween – Has Anyone Seen “The Bat”?
Every Halloween season, silent film accompanists and church organists find themselves on the bench supporting silent film’s usual suspects: Erik the Phantom, Quasimodo, Drs. Jekyll and Caligari, and Count Orlok. Most of these are more gothic or macabre than what one may consider bona fide “horror film”, with the exception…
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Episode 52 show notes: The Silent Film Music Podcast
Episode 52 Show Notes: William Perry interview (part 2) Interview with William Perry, composer, pianist, orchestrator, and silent film accompanist. From William Perry’s score for The Gold Rush (transition from piano to orchestra) Ben’s introduction WP: In the early 1970s, the curators at MoMA were discovering silent film, its history…
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ep. 52: William Perry interview (part 2) – MoMA, Lillian Gish, composing orchestrally for piano, and more.
In this episode: Ben interviews composer, silent film pianist and television producer William Perry. Perry is probably best-remembered for his scores for the now-legendary television series “The Silent Years”, produced by Paul Killiam, that ran for two seasons on public television, in 1971 and 1975. For twelve years Perry was…
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Streamed Silents: Does Live-Scoring Make A Difference?
It’s interesting. I really thought my idea of live-streaming a live-scored and live-hosted silent film program would catch on. Perhaps slowly at first, and then at some point it would start to snowball. After all, so many of us silent film enthusiasts say that the live music is a key…
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ep. 51: William Perry interview (part 1) – “The Silent Years”, MoMA, and more.
In this episode: Ben interviews composer, silent film pianist and television producer William Perry. Perry is probably best-remembered for his scores for the now-legendary television series “The Silent Years”, produced by Paul Killiam, that ran for two seasons on public television, in 1971 and 1975. For twelve years Perry was…
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Episode 51 show notes: The Silent Film Music Podcast
Episode 51 Show Notes: William Perry interview (part 1) Interview with William Perry, composer, pianist, orchestrator, and silent film accompanist. William Perry’s compositions William Perry’s piano music from “The Silent Years” available on CD “The Beloved Rogue And other Scores from The Silent Years” from Trobriand Music William Perry’s YouTube…
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FB and “How’d I Miss This?”
In the days leading up to a live-scored-live-stream I presented this past Wednesday, I got the word out. I posted the info and link onto Twitter, Facebook and Instagram, and I sent out an email to my list. The day after the stream, I got some verification that an email…
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ep. 50: Serial Queens, Kovacs Music Videos, and the Charming Raymond Griffith
In this episode: Ben accompanies a bunch of shows of silent serials during June, and talks about the musical challenges of accompanying serials and in scoring an entire program of them; Kerr and Ben continue their conversation about Ernie Kovacs’s use of music, and discuss Kovacs’ “Street Scene” video of…